A common feature was to base future size on the eight small men method. A considered good size double wardrobe would thus be able to hold within its capacity, eight small men.
In the nineteenth century the wardrobe began to develop into its modern form, with a hanging cupboard at each side, a press in the upper part of the central portion and drawers below. As a rule it was often of mahogany, but as satinwood and other hitherto scarce finely grained foreign woods began to be obtainable in considerable quantities, many elaborately and even magnificently inlaid wardrobes were made.
Where Chippendale and his school had carved, Sheraton, Hepplewhite and their contemporaries achieved their effects by the artistic employment of deftly contrasted and highly polished woods.
The penultimate step in the evolution of the wardrobe was taken when the central doors, which had previously enclosed merely the upper part, were carried to the floor, covering the drawers as well as the sliding shelves, and were often fitted with mirrors.
Famous quotes containing the words size and/or wardrobe:
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