Queen Elisabeth Music Competition - Past Winners - Composition

Composition

Table showing: Winner
Year 1st Work
1953 Michał Spisak Serenade voor orkest
1957 Orazio Fiume Concerto for orchestra
1960 Marcel Poot Sinfonia burlesca
1963 Léon Jongen
1982 John Weeks Five Litanies for Orchestra
1989 André Laporte Fantasia con tema reale
1991 Tristan-Patrice Challulau Ne la città dolente
1993 Piet Swerts Zodiac
1995 John Weeks Requiescat
1997 Hendrik Hofmeyr Raptus
1999 Uljas Voitto Pulkkis Tears of Ludovico
2001 / Søren Nils Eichberg Qilaatersorneq
2003 Ian Munro Piano Concerto Dreams
2005 Javier Torres Maldonado Obscuro Etiamtum Lumine
2006 Miguel Gálvez-Taroncher La luna y la muerte
2008 Cho Eun-Hwa Agens
2009 Jeon Minje Target
2011 Sakai Kenji Concerto pour violon et orchestre

Read more about this topic:  Queen Elisabeth Music Competition, Past Winners

Other articles related to "composition, compositions":

William Bolcom - Life and Career
... At the age of 11, he entered the University of Washington to study composition privately with George Frederick McKay and John Verrall and piano with Madame Berthe Poncy Jacobson ... the Paris Conservatoire, where he received the 2ème Prix de Composition ... of 1994, he was named the Ross Lee Finney Distinguished University Professor of Composition at the University of Michigan, a position which he still holds ...
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... Senate composition before the elections I D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D R R R ...
Esa-Pekka Salonen - Composing
... Among Salonen's compositions are...auf den ersten blick und ohne zu wissen.. ... has stated that his time in California has helped him to be more "free" in his compositions ... "My focus moved from an ideological principle to a pleasure principle" is how he described the composition of his breakthrough piece, "LA Variations," which the Philharmonic premiered in 1997 ...

Famous quotes containing the word composition:

    Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?
    Alexander Herzen (1812–1870)

    Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
    James Boswell (1740–1795)

    If I don’t write to empty my mind, I go mad. As to that regular, uninterrupted love of writing ... I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.
    George Gordon Noel Byron (1788–1824)