Spencer (Angela Gots), a woman with whom Thirteen is having a one-night stand, has a seizure at Thirteen's apartment. Thirteen accompanies her to Princeton-Plainsboro Teaching Hospital where House and the team take the case. House remains more concerned with Thirteen's confirmed bisexuality and finds the situation a good opportunity to delve into her personal life. House and Foreman go to Thirteen's apartment to search for drugs that might have caused Spencer's illness.
Thirteen suspects that the woman's illness is related to her drug use, but she then finds out that the woman has a long medical history and has seen several doctors over the past few years, along with the fact that she only slept with Thirteen to get to House, who would not accept her as a patient after she had been trying to see him for over a year. Foreman tells Thirteen what he found at her house. It's a slip of paper that shows Thirteen's Huntington's progressing faster than she thought it was. He also confronts her about her current hard-partying lifestyle, warning her that it is sending her life and job into a downward spiral.
After Cuddy catches Thirteen with a terrible hangover, she wants her to do a drug test. After preventing this, House fires Thirteen for missing the differential diagnoses. Despite being technically unemployed and off the case, Thirteen remains at the hospital. When it is determined Spencer's illness, Lymphangioleiomyomatosis, is fatal, Thirteen volunteers to tell her, saying that no one should hear such a death sentence from the cold, uncaring House. Later, House has a brainstorm and asks Thirteen if Spencer cried when she heard the bad news. Thirteen says no. House then determines the true cause of the girl's illness based upon her inability to produce tears, a symptom of her illness, candidiasis (a fungal infection) secondary to Sjögren's syndrome, an autoimmune disorder in which immune cells destroy exocrine glands that produce tears and saliva.
When Thirteen is able to prove her loyalties at the end of the episode House rehires her, although Thirteen discovers that firing her was merely a game of House's to see if she would grow close with the patient. At the end of the episode, Thirteen continues with her risky habits, partying with another woman.
It is also revealed that Cuddy is adopting a baby, after House follows Wilson to a baby store and sees her there. When House learns that Cuddy had Wilson be her character reference for the adoption agency, House refuses to congratulate her, using for the second time in the episode, "If you're happy, I'm..." and then walking away.
Read more about this topic: Lucky Thirteen (House)
Other articles related to "plot, plots":
... Valjean arrives at Montfermeil on Christmas Eve ... He finds Cosette fetching water in the woods alone and walks with her to the inn ...
... plot(x0,y0, x1,y1) dx=x1-x0 dy=y1-y0 D = 2*dy - dx plot(x0,y0) y=y0 for x from x0+1 to x1 if D > 0 y = y+1 plot(x,y) D = D + (2*dy-2*dx) else plot(x,y) D = D + (2*dy) Running this ...
... Zoltan opens another coffin shaken loose from the crypt, this one holding the body of an innkeeper, Nalder, who once owned the crypt ... Zoltan removes the stake from the innkeeper's chest, reanimating the innkeeper ...
... throne of Scotland in 1567, she became the focus of numerous plots and intrigues to restore England to the Catholic fold ... against the queen, even if the claimant were ignorant of the plot, would be excluded from the line and executed ... which provided for the execution of anyone who would benefit from the death of the Queen if a plot against her was discovered ...
... The points plotted in a Q–Q plot are always non-decreasing when viewed from left to right ... If the two distributions being compared are identical, the Q–Q plot follows the 45° line y = x ... the values in one of the distributions, then the Q–Q plot follows some line, but not necessarily the line y = x ...
Famous quotes containing the word plot:
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“Jamess great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofnessthat is, reluctance to engage in any direct grappling with what, in the play or story, had actually taken placeMthat his listeners often did not, in the end, know what had, to put it in another way, gone on.”
—James Thurber (18941961)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, revivd, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (16311700)